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Reviewed online, New York, March 28, 2021. Wade’ Review: Dreadful Anti-Abortion Drama Has No Use for Facts or Filmmaking Basics Not only rabbits have those habits.” Ideologically scheming and visually inelegant, this is truly tacky stuff. Just a twist of the wrist, and you’re through. This suspicion only intensifies when a bunch of characters, led by Loeb, break into a song that goes, “There’s a fortune in abortion. Wade,” which can be inadvertently amusing at times, might have been intended as a political satire in the “Borat” vein. Like-minded audiences may look past all that, while others will find themselves wondering if “Roe v. The cinematography lacks compositional intuition or original ideas, beyond “well, the ’70s looked very orange,” while haphazard editing interrupts the narrative rhythm.
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The amateur-hour acting features too many hilarious emotional outbursts by Loeb, plus short appearances by such far-right figures as Tomi Lahren, Milo Yiannopoulos (in an especially tasteless scene sketched to dehumanize abortion-rights doctors) and even “My Pillow Guy” Mike Lindell.
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It doesn’t help the movie’s case that Allyn and Loeb’s impassioned “we’re going to blow the lid off this thing” attitude isn’t matched by professional filmmaking, but spectacular incompetence. But these unfortunate scenes feel more insensitive than eye-opening. At times, the filmmakers attempt to outrage the audience by shock, such as a police raid in which cops carry buckets of bloody baby parts out of an abortion clinic, or a shot of crusty cheese peeling off a slice of pizza intended to represent what an abortion looks like. Throughout, Allyn and Loeb use cheap tricks and insinuation to prop up their swelling piles of falsities, as when they defame Planned Parenthood’s mission by associating it with its founder Margaret Sanger’s belief in racial eugenics, despite the fact that the organization had already distanced itself from Sanger.
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Meanwhile, God-fearing wholesome people on the anti-abortion end stand their ground with courage, including Harvard-educated Christian doctor Mildred Jefferson (Stacy Dash, agonizingly unimaginative) and law professor Robert Byrn (Joey Lawrence), who speaks in manipulative conservative-bumper-sticker messages and dares to ask his students whether they’d abort Beethoven due to his deafness. Hughes of Texas - is apparently so biased that she can’t help winking at Weddington and Coffee to indicate they’ve got the verdict in the bag. And some Supreme Court justices (played by Jon Voight and Steve Guttenberg, among others), the directors allege, were consequently pressured both by the media and their families to rule in favor of abortion. In short, the film claims that the abortion-rights movement was a well-funded and rigged branding campaign. Per the filmmakers, everyone was in on the scam. Hollywood eats it all up and offers its precious backing. Meanwhile, to amplify the credibility of their mission, Lader and Nathanson systematically fabricate abortion-favoring stats and feed them to the media in order to sway the public.
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The unsuspecting pair are baited by Nathanson and his fellow abortion backer Larry Lader (Jamie Kennedy) in a moneymaking conspiracy that turns abortions into a cash cow, a ploy that also involves activist and “The Feminine Mystique” author Betty Friedan (Lucy Davenport), presented here as a naive villain with limited smarts. These two are portrayed as gullible, hungry pawns who are made to use the vulnerable, pregnant small-town girl Norma “Jane Roe” McCorvey (Summer Joy Campbell) for their agenda. In poorly paced chronological segments and flashbacks, punctuated by overdone freeze-frames, his dull voiceover narrates the sequence of events that introduce us to attorneys Sarah Weddington (Greer Grammer) and Linda Coffee (Justine Wachsberger). Bernard Nathanson (played by Loeb, as inept at acting as he is at directing) started out as a money-crazed opportunist, raking in cash by performing abortions. Here is how the duo’s version of the historic ruling goes: Future anti-abortion activist and NARAL co-founder Dr.